Art & Artificial Intelligence: Home

• Public perception of generative AI on Twitter: an empirical study based on occupation and usage. EPJ Data Science, 2024.
• Decoding AI in Contemporary Art: A Five-Trope Classification for Understanding and Categorization. Leonardo (Oxford), 8-2024.
• Engaging with AI painting: exploring motivations and challenges in laypeople’s creative information practices. Information Research, 29(2), 2024.

• Companies have begun developing models with their own material. New York Times, 22 July 2024.
• MAGICAL THINKING; The line between original creation and repurposing old work is fuzzy at best, Michael Harris writes, and any writer or artist who isn't too full of themselves will admit it. Globe & Mail, June 2024, 
  Art Under Fire: How Al Challenges Artistic Authenticity and Integrity. Information Today, May 2024.
• Tools Do Not Create: Human Authorship in the Use Of Generative Artificial Intelligence Journal of Law, Technology and the Internet, Mar. 2024.
• How Does Artificial Intelligence Affect Intellectual Property Protection? Mondaq Business Briefing, 15 Mar. 2024.
• Humanity's remaining timeline? Guardian, 17 Feb. 2024.
• 6 big questions for generative AI. MIT Technology Review, vol. 127, no. 1, Jan.-Feb. 2024.
• In A.I. Territory, a Human Artist. New York Times, 31 Dec. 2023.
• A.I.'s Biggest Threat: Shrunken Ambitions. New York Times, 31 Dec. 2023.
• Microsoft says its AI is safe. So why does it keep slashing people's throats?. Washington Post, 28 Dec. 2023.

• Cho, W. (2024). AI’s New Job? All-Purpose Hollywood Crewmember. Hollywood Reporter, 430, p.12.
• Tosina Fernández, L. J. (2023). Proverbs as indicators of proficiency for art-generating AI. Digital Scholarship in the Humanities, 38(3), 1296–1306.
• Phillips, C., Jiao, J., & Clubb, E. (2024). Testing the Capability of AI Art Tools for Urban Design. In IEEE computer graphics and applications (Vol. 44, Issue 2, pp. 37–45).

• Frank, S. J., & Frank, A. M. (2022). Complementing connoisseurship with artificial intelligence. Curator (New York, N.Y.), 65(4), 835-868.
• Wojciechowski, A., & Korjonen‐Kuusipuro, K. (2021). Can artificial intelligence become an artist? Human Technology, 17(2), 118.
• Matthews, B., Shannon, B., & Roxburgh, M. (2023). Destroy all humans: The dematerialisation of the designer in an age of automation and its impact on graphic Design—A literature review. The International Journal of Art & Design Education, 42(3), 367-383.
• Hakopian, M. F. (2023). Art histories from nowhere: On the coloniality of experiments in art and artificial intelligence. AI & Society.

United States Government - Copyright and Artificial Intelligence Status

US Judge Rules AI-Generated Art Not Protected by Copyright Law ArtNews (2023, Aug 21).

• Copyright And AI: How To Protect Yourself In Practice. (2024, April). Mondaq Business Briefing
• Who Owns The Copyright Work In AI-Generated Art. (2024, Feb 12). Mondaq Business Briefing.
• Artificial intelligence and copyright law: Less than meets the eye. (2023, Aug 31). Mondaq Business Briefing.
• Recent trends in generative artificial intelligence litigation in the United States. Mondaq Business Briefing.
• Indiana University: Ask the Expert - What Are Legal Issues Surrounding AI, Its Impact on the Arts? (2023, Jul 13). Targeted News Service (online).

• "Unlocking the Potential of Artificial Intelligence in Fashion Design and E-Commerce Applications: The Case of Midjourney." Journal of Theoretical and Applied Electronic Commerce Research, vol. 19, no. 1, Mar. 2024.

• Using The Machine: Evolving Notions Of Originality In Copyright Law And AI-Assisted Art. Mondaq Business Briefing, August 30, 2024.

• The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene Leonardo (Oxford) (2023).
• Reimagining fine art in the artificial intelligence era new student-run gallery show at GSU puts the 'AI' in painting. States ,News Service, Gale. (2023).
• How schools can survive (and maybe even thrive) with A.I. this fall: The shift. New York Times (2023).
• Art and the Science of Generative AI MIT (2023).
• A Dare for Art Students: 'Embrace the Machines'. New York Times (2023).

• The emergence of autolography: The 'magical' invocation of images from text through AI. Media International Australia Incorporating Culture & Policy. (2023)
• Deep else: A critical framework for AI art. Digital, 2(1), 1. (2022)
• A study of artificial intelligence-based poster layout design in visual communication. Scientific Programming, (2022).
• Humans versus AI: Whether and why we prefer human-created compared to AI-created artwork. Cognitive Research: Principles and Implications, 8(1), 42-42. (2023).
• Understanding and creating art with AI: Review and outlook. ACM Transactions on Multimedia Computing Communications and Applications, 18(2), 1-22. (2022).
• Grand theft AI. Art in America, 111(3), 108. (2023).
• Communication in human-AI co-creation: Perceptual analysis of paintings generated by text-to-image system. Applied Sciences, 12(22), 11312. (2022).